Санъат ва маданият Ахборотномаси 2-son (2026) · 15-17-betlar
XIX ÁSIRDIŃ 60-70-JÍLLARÍNDAǴÍ RUS MUZÍKA MÁDENIYATÍ
Zarlıq, Bekbergenov, Zarlıq, Bekbergenov, Zarlıq, Bekbergenov, Zarlıq, Bekbergenov
Annotatsiya
The 1860s and 1870s marked one of the most vibrant and fruitful periods in the history of Russian musical culture. This was a time of tremendous flourishing in national musical art, linked to democratic transformations in society, the reforms of the 1860s, and the growth of national consciousness. At the heart of this era was the creative collaboration of the composers known as the “Mighty Handful” (the New Russian School of Music), which brought together M. A. Balakirev, M. P. Mussorgsky, A. P. Borodin, N. A. Rimsky-Korsakov, and C. A. Cui. The composers drew on the traditions of M. I. Glinka and A. S. Dargomyzhsky, actively utilized Russian folklore, historical themes, and folk imagery, and sought to realistically reflect the life of the people and affirm the national identity of music. At the same time, the creative work of P. I. Tchaikovsky was developing, as were the activities of A. G. and N. G. Rubinstein, aimed at professionalizing music education. During these years, the Russian Musical Society (1859), conservatories in St. Petersburg (1862) and Moscow (1866), Free Music School.
russian musical culture1860s–1870s“Mighty Handful”New Russian School of MusicM.P.MussorgskyA.P.BorodinN.A.Rimsky-KorsakovP.I.TchaikovskyM.A.Balakirevnational identity
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