Алишер Навоий Том 5 № 1 (2025)
SOME REFLECTIONS ON THE ROLE OF THE PHILOSOPHY OF WAHDAT AL-WUJUD IN NAVOI'S CREATIVE THINKING
Алишер РАЗЗОКОВ
Аннотация
In this article, the significance of the doctrine of unity, which is considered one of the core issues of Eastern Islamic mysticism, in the study of Alisher Navoi's work, and its role as a methodological basis are researched. Before entering the main topic of the article, the history, essence, and place of the philosophy of wahdat ul-wujud, its place in Islamic thought, are covered based on historical and scientific sources. It has been suggested that most orientalists and philosophers view unity and pantheism as essentially a phenomenon. The attitude of the Naqshbandi sect to the philosophy of wahdat ul-wujud is highlighted. After that, Alisher Navoi's approach to this philosophy, his unique views and interpretations were analyzed through his own works. The main conclusion drawn from the article is that one of the foundations of Navoi's creative-philosophical thinking is not pantheism, but the doctrine of wahdat ul-vujud reworked on the basis of the views of the Naqshbandi sect, and this doctrine has a great place as a methodological basis for understanding the essence of the poet's mystical views and images.
суфизм, вахдат ал-вуджуд, таухид, пантеизм, Алишер Навои, художественное творчество, методологическая основаSufism, wahdat ul-wujud, monotheism, pantheism, Alisher Navoi, artistic creation, methodological frameworktasavvuf, vahdat ul-vujud, tavhid, panteizm, Alisher Navoiy, badiiy ijod, metodologik asos
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