Санъат ва маданият Ахборотномаси Issue 2 (2025) · pp. 60-65
ZAMONAVIY O‘ZBEK BADIIY KINOSIDA OPERATORLIK USLUBLARINING RIVOJLANISHI (SUBYEKTIV KAMERA)
Otajon, Dostonov, Otajon, Dostonov, Otajon, Dostonov, Otajon, Dostonov
Abstract
The article analyzes the development of cinematographic styles in Uzbek feature filmsthrough the example of the subjective camera. I. Lutfullayevʼs visual styles are examined from an art studiesperspective, exploring their dramaturgical function, expressive potential, and system of visual imagery.
cinematographytechnological progressdigital technologiesimage a estheticsexpressive toolstraditional and modern approach.kinoperatorlıqtexnologiyalıq rawajlanıwsanlı texnologiyalarsúwret estetikası
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