Санъат ва маданият Ахборотномаси 2-нөмір (2025) · 92-96-беттер
ДИАЛОГ ТРАДИЦИЙ: ВЗАИМОДЕЙСТВИЕ ВОСТОКА И ЗАПАДА В ЖИВОПИСИ УЗБЕКИСТАНА 1970–1980-Х ГОДОВ
Азиза, Шаропова, Азиза, Шаропова, Азиза, Шаропова, Азиза, Шаропова
Аңдатпа
The article is devoted to the analysis of the painting of Uzbekistan in the 1970s–1980sthrough the lens of reception theory. Particular attention is paid to the interaction between East and West,artistic identity, and the mechanisms of creative assimilation of cultural heritage. The key concepts ofreception developed by H.-G. Gadamer and H.R. Jauss, as well as the features of their manifestation in thework of leading Uzbek artists of this period, are considered.
painting of UzbekistanreceptiontraditionsidentityEast and Westartistic discourse.Ózbekistan reńli súwretrecepciyadástúridentifikaciya
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