Санъат ва маданият Ахборотномаси 2-san (2026) · 67-68-betler
FARG‘ONA-TOSHKENT BASTAKORLIK MAKTABI: AN’ANA, IJROCHILIK VA AYOL XONANDALIK SAN’ATI TAHLILI
Bazarbay, Nazarımbetov, Bazarbay, Nazarımbetov, Bazarbay, Nazarımbetov, Bazarbay, Nazarımbetov
Annotaciya
This article provides a scholarly and theoretical analysis of the historical development of the compositional school formed in the Fergana – Tashkent region, its creative features, and performance traditions. It also examines musical works created specifically for female vocalists as a distinct area, analyzing their vocal characteristics and highlighting their role in national musical art.
composition, Fergana – Tashkent style, performance school, vocal art, national composition, professional music, nola, qochirim, orchestra.kompozitorlıq, Fergana-Tashkent usılı, atqarıw mektebi, qosıqshılıq, milliy kompozitorlıq, professional muzıka, nala, qosıq, orkestrкомпозиторское творчество, Фергано-Ташкентский стиль, исполнительская школа, вокальное искусство, национальное композиторство, профессиональная музыка, нола, кочирим, оркестрbastakorlik, Farg‘ona–Toshkent uslubi, ijro maktabi, xonandalik, milliy bastakorlik, professional musiqa, nola, qochirim, orkestr
Metadata derekkózi: jurnal OAI-PMH arxivi · Sindex tolıq mátindi saqlamaydı, derekkózge silteme beredi.