Ўзбекистонда хорижий тиллар (электрон илмийметодик журнал) 58-tom 5-san (2024) · 229-238-betler
PRINCIPLES OF RENEWAL IN CONTEMPORARY UZBEK POETRY
Sabirova, Zebo
Annotaciya
The study discusses Uzbek poetry, its modern subject scope and the artist’s skill in creating images. The research deals with the issues of a new expression of philosophical views, individuality, and artistic interpretation of the creative style in today's Uzbek poetry in connection with Eastern philosophy and creative art. The aim of the study is to analyze the philosophical view and modernist interpretation in modern Uzbek poetry, the creative style, the nature of the image, the manifestation and formation of artistic and aesthetic features, and the growth of the creative way of thinking. The issue of figurativephilosophical imagery in Uzbek poetry, the composition of the poem, the scope of expression and thematic direction; Eastern philosophy in poetry, philosophical-social, symbolic-figurative, folk tones, the attitude of the creator to reality and the spiritual world were studied. The study states that in modern Uzbek poetry in the last quarter of the XX century and the first stage of the XXI century, along with the poet’s creative mood, the style of creating an image was somewhat updated, the meaning understood from the individuality inherent in the nature of the image acquired a special feature, carrying a certain meaning, conveying it to the reader’s thinking at a proper level, and at the same time requiring deep thinking. The history of the globalization phenomenon in modern poetry, its impact on the literary process, the fate of national literature and its viability, the impact of the phenomenon on Uzbek poetry, the issue of the balance of form and content in modern poetry are studied as a literary-aesthetic category.
fictionessencerenewalartistic thoughtmodern Uzbek poetryimageryscope of the subjectlyrical digressionmodernismmodernist tone
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