Алишер Навоий 1-tom 1-san (2021)

THE IDEOLOGICAL DIRECTION AND MAIN ARTISTIC IMAGES OF DASTANS “KHUSRAV AND SHIRIN” AND “FARHOD AND SHIRIN”

Мухитдинова Бадиa Муслихиддиновна

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Annotaciya

This article is devoted to a comparative analysis of the image of Shirin in Nizami Ganjavi’s “Khusrav and Shirin” and Alisher Navoi’s “Farhod and Shirin”. The main ideological and artistic direction of the epics is highlighted, highlighting the importance of artistic symbols in the development of the work. The epics “Khusrav and Shirin” and “Farhod and Shirin” have been studied as one of the most amazing masterpieces of the art of speech, focusing on the interpretation of the world of unique artistic symbols.

эпос, литературные шедевры, художественное изображение, интерпретация, сравнительный анализ, мировоззренческое направление, общность, словесное искусство, нравственная ценность, мировоощущениеepic, literary masterpieces, artistic representation, interpretation, comparative analysis, ideological direction, commonality, word art, moral value, outlook

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Dáyeksóz alıw

APA 7 
Мухитдинова Бадиa Муслихиддиновна (2021). THE IDEOLOGICAL DIRECTION AND MAIN ARTISTIC IMAGES OF DASTANS “KHUSRAV AND SHIRIN” AND “FARHOD AND SHIRIN”. Алишер Навоий, 1(1).
GOST R 7.0.5 
Мухитдинова Бадиa Муслихиддиновна THE IDEOLOGICAL DIRECTION AND MAIN ARTISTIC IMAGES OF DASTANS “KHUSRAV AND SHIRIN” AND “FARHOD AND SHIRIN” // Алишер Навоий. 2021. Т. 1. № 1.
BibTeX 
@article{муслихиддиновна2021,
  author  = {Мухитдинова Бадиa Муслихиддиновна},
  title   = {THE IDEOLOGICAL DIRECTION AND MAIN ARTISTIC IMAGES OF DASTANS “KHUSRAV AND SHIRIN” AND “FARHOD AND SHIRIN”},
  journal = {Алишер Навоий},
  year    = {2021},
  volume  = {1},
  number  = {1}
}
RIS 
TY  - JOUR
AU  - Мухитдинова Бадиa Муслихиддиновна
TI  - THE IDEOLOGICAL DIRECTION AND MAIN ARTISTIC IMAGES OF DASTANS “KHUSRAV AND SHIRIN” AND “FARHOD AND SHIRIN”
JO  - Алишер Навоий
PY  - 2021
VL  - 1
IS  - 1
ER  -