Oriental Art and Culture Volume 7 Issue 01 (2026) · pp. 122-126

QAHRAMON QIYOFASINI YARATISHDA STANISLAVSKIY TA’LIMOTINING MOHIYATI

Boltaboyeva, Umidaxon

Read at source PDF

Abstract

Mazkur maqolada K.S.Stanislavskiy ta’limotining aktyorlik san’atidagi o‘rni hamda qahramon qiyofasini yaratish jarayonidagi nazariy va amaliy mohiyati tahlil etiladi. Tadqiqot jarayonida Stanislavskiy tizimining asosiy tushunchalari - ichki harakat, maqsad, vazifa, emotsional xotira va sahnaviy haqiqat kabi omillar orqali obraz yaratish mexanizmlari yoritib beriladi. Shuningdek, aktyorning ichki psixologik jarayonlari bilan tashqi sahnaviy ifoda vositalari o‘rtasidagi uyg‘unlik masalasi ilmiy-nazariy jihatdan asoslanadi. Maqolada Stanislavskiy ta’limotining zamonaviy teatr amaliyotidagi ahamiyati ochib berilib, uning aktyor ijodiy tafakkurini shakllantirishdagi metodologik qiymati aniqlanadi

stanislavskiy ta’limoti, aktyorlik mahorati, qahramon qiyofasi, sahnaviy obraz, ichki harakat, emotsional xotira, sahnaviy haqiqat, teatr san’ati

Metadata source: the journal's OAI-PMH archive · Sindex does not store the full text; it links to the source.

Cite

APA 7
Boltaboyeva, Umidaxon (2026). QAHRAMON QIYOFASINI YARATISHDA STANISLAVSKIY TA’LIMOTINING MOHIYATI. Oriental Art and Culture, 7(01), 122-126.
GOST R 7.0.5
Boltaboyeva, Umidaxon QAHRAMON QIYOFASINI YARATISHDA STANISLAVSKIY TA’LIMOTINING MOHIYATI // Oriental Art and Culture. 2026. Т. 7. № 01. С. 122-126.
BibTeX
@article{umidaxon2026,
  author  = {Boltaboyeva, Umidaxon},
  title   = {QAHRAMON QIYOFASINI YARATISHDA STANISLAVSKIY TA’LIMOTINING MOHIYATI},
  journal = {Oriental Art and Culture},
  year    = {2026},
  volume  = {7},
  number  = {01},
  pages   = {122-126}
}
RIS
TY  - JOUR
AU  - Boltaboyeva, Umidaxon
TI  - QAHRAMON QIYOFASINI YARATISHDA STANISLAVSKIY TA’LIMOTINING MOHIYATI
JO  - Oriental Art and Culture
PY  - 2026
VL  - 7
IS  - 01
SP  - 122
EP  - 126
ER  -