Oriental Art and Culture Volume 7 Issue 02 (2026) · pp. 47-52

BAROKKO DAVRI KLAVIR MUSIQASIDA DITRIX BUKSTEXUDENING SOL-MAJOR TOKKATASINING O‘RNI VA METODIK XUSUSIYATLARI

S.Zokirova, Sh.

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Abstract

Maqolada barokko davri nemis bastakori Ditrix Bukstexudening sol-major tokkatasi musiqiy tahlil asosida o‘rganiladi. Asarning shakl tuzilishi, polifonik va improvisatsion uslub xususiyatlari, fugalashgan qismlar va figuratsiyalarning ijro texnikasiga ta’siri ochib beriladi. Tokkataning o‘rganilishi jarayonida yuzaga keladigan metodik va ijrochilik masalalari yoritiladi.

Bukstexude, tokkata, barokko, klavir musiqasi, polifoniya, fuga, improvisatsiya, figuratsiya, kadensiya, ijro texnikasi, musiqiy tahlil

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Cite

APA 7 
S.Zokirova, Sh. (2026). BAROKKO DAVRI KLAVIR MUSIQASIDA DITRIX BUKSTEXUDENING SOL-MAJOR TOKKATASINING O‘RNI VA METODIK XUSUSIYATLARI. Oriental Art and Culture, 7(02), 47-52.
GOST R 7.0.5 
S.Zokirova, Sh. BAROKKO DAVRI KLAVIR MUSIQASIDA DITRIX BUKSTEXUDENING SOL-MAJOR TOKKATASINING O‘RNI VA METODIK XUSUSIYATLARI // Oriental Art and Culture. 2026. Т. 7. № 02. С. 47-52.
BibTeX 
@article{sh.2026,
  author  = {S.Zokirova, Sh.},
  title   = {BAROKKO DAVRI KLAVIR MUSIQASIDA DITRIX BUKSTEXUDENING SOL-MAJOR TOKKATASINING O‘RNI VA METODIK XUSUSIYATLARI},
  journal = {Oriental Art and Culture},
  year    = {2026},
  volume  = {7},
  number  = {02},
  pages   = {47-52}
}
RIS 
TY  - JOUR
AU  - S.Zokirova, Sh.
TI  - BAROKKO DAVRI KLAVIR MUSIQASIDA DITRIX BUKSTEXUDENING SOL-MAJOR TOKKATASINING O‘RNI VA METODIK XUSUSIYATLARI
JO  - Oriental Art and Culture
PY  - 2026
VL  - 7
IS  - 02
SP  - 47
EP  - 52
ER  -