Oriental Art and Culture 7-tom 02-san (2026) · 178-181-betler

THE HISTORY AND PERFORMANCE TRADITIONS OF CHO‘LI IROQ

Botirova, Nilufar

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Annotaciya

This article discusses the formation of vocal and instrumental melodies characteristic of the Fergana-Tashkent musical school, their connection with the Shashmaqom system, and their current state. The philosophical and musical foundations of the Fergana-Tashkent instrumental tradition are analyzed, particularly the melody “Cho‘li Iroq”, its meaning, structure, and historical origins. The article scientifically explores the interaction between folk musical creativity and the art of maqom, the integration of maqom elements into folk melodies, and the continuity of these traditions in modern instrumental performance

Shashmaqom, Cho‘li Iroq, Maqam system, Fergana-Tashkent maqoms, instrumental melodies, folk creativity, philosophy, musical treatise

Metadata derekkózi: jurnal OAI-PMH arxivi · Sindex tolıq mátindi saqlamaydı, derekkózge silteme beredi.

Dáyeksóz alıw

APA 7 
Botirova, Nilufar (2026). THE HISTORY AND PERFORMANCE TRADITIONS OF CHO‘LI IROQ. Oriental Art and Culture, 7(02), 178-181.
GOST R 7.0.5 
Botirova, Nilufar THE HISTORY AND PERFORMANCE TRADITIONS OF CHO‘LI IROQ // Oriental Art and Culture. 2026. Т. 7. № 02. С. 178-181.
BibTeX 
@article{nilufar2026,
  author  = {Botirova, Nilufar},
  title   = {THE HISTORY AND PERFORMANCE TRADITIONS OF CHO‘LI IROQ},
  journal = {Oriental Art and Culture},
  year    = {2026},
  volume  = {7},
  number  = {02},
  pages   = {178-181}
}
RIS 
TY  - JOUR
AU  - Botirova, Nilufar
TI  - THE HISTORY AND PERFORMANCE TRADITIONS OF CHO‘LI IROQ
JO  - Oriental Art and Culture
PY  - 2026
VL  - 7
IS  - 02
SP  - 178
EP  - 181
ER  -