Илғор иқтисодиёт ва педагогик технологиялар 2-tom 5-san (2025) · 404-415-betler
THE CONCEPT OF ART TOURISM AND ITS KEY FEATURES
Isakdjanova, Munojat, Исакджанова, Муножат, Isakdjanova, Munojat
Annotaciya
This article conceptualizes art tourism as an emerging field at the intersection of culture, creative industries, and visitor experience. Based on content analysis of international/local scholarship (MacCannell, Bourdieu, Florida, Richards) and Uzbekistan’s policy framework (2024 Creative Economy Law), an integrative model is proposed linking: (1) theoretical–legal foundations; (2) practical formats; (3) territorial–urban contexts; and (4) psychosocial functions. The model identifies five features: centrality of aesthetic experience, active participation, artist–audience interaction, embeddedness in the creative economy, and convergence of socio-cultural, economic, and aesthetic value. Uzbek cases (Savitsky Museum, Human House, Art Station, biennials) show institutionalization. Recognizing art tourism as a distinct segment provides a basis for service quality assessment enriched with experiential and affective indicators.
art tourismcreative economycultural tourismарт-туризмкреативная экономикакультурный туризмart turizmkreativ iqtisodiyotmadaniy turizm
Metadata derekkózi: jurnal OAI-PMH arxivi · Sindex tolıq mátindi saqlamaydı, derekkózge silteme beredi.