Санъат ва маданият Ахборотномаси 1-нөмір (2026) · 118-122-беттер
DRAMA JANRINING ASOSIY VAZIFASI TOMOSHABINGA TО‘G‘RIDAN TО‘G‘RI TA’SIR О‘TKAZISH
Asliddin, О‘tayev, Asliddin, О‘tayev, Asliddin, О‘tayev, Asliddin, О‘tayev
Аңдатпа
This article analyzes the nature of the dramatic genre, its stage incarnation, and themechanisms of direct impact on the audience. It explores the ways of influencing the consciousnessand emotions of the public through the fundamental concepts of dramatic art, such as action, stagetruth, and the "super-objective." Based on the theoretical views of K.S. Stanislavsky and otherprominent theater figures, the social and artistic functions of drama are revealed.
dramaactionsuper-objectivethrough-line of actionstage truthexperience (perezhivanie)beliefemotional contactparticipant of the creative processresonator
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