Санъат ва маданият Ахборотномаси 2-san (2026) · 110-113-betler
Acoustic Characteristics of Recording Karakalpak Traditional Instruments (Qobiz, Shinkobiz) in Studio Conditions and Their Adaptation to the 5.1 Surround System
Manas, Abdreymov, Manas, Abdreymov, Manas, Abdreymov, Manas, Abdreymov
Annotaciya
This article investigates the acoustic complexities and technical solutions involved in recording Karakalpak traditional instruments (qobiz and shinkobiz) under studio conditions. Transferring ethnic instruments into multi-channel (5.1 Surround) spatial formats is a serious engineering task. The study provides an in-depth analysis of the frequency spectra, specific transient behaviors, and resonance characteristics of these instruments. Furthermore, by proposing advanced miking methods (Mid-Side technique, off-axis positioning) and panning strategies during the post-production stage, a comprehensive methodological guide for sound directors has been developed. The primary objective is to seamlessly integrate the Karakalpak musical heritage into modern spatial audio platforms while preserving its authentic, ancient timbre.
sound directingKarakalpak folkloreqobizshinkobizacoustic analysis5.1 Surround systemspatial audiomiking techniquespost-productiontransients
Metadata derekkózi: jurnal OAI-PMH arxivi · Sindex tolıq mátindi saqlamaydı, derekkózge silteme beredi.