Санъат ва маданият Ахборотномаси 2-сан (2026) · 110-113-беттер
ACOUSTIC CHARACTERISTICS OF RECORDING KARAKALPAK TRADITIONAL INSTRUMENTS (QOBIZ, SHINKOBIZ) IN STUDIO CONDITIONS AND THEIR ADAPTATION TO THE 5.1 SURROUND SYSTEM
Manas, Abdreymov, Manas, Abdreymov, Manas, Abdreymov, Manas, Abdreymov
Аннотация
This article investigates the acoustic complexities and technical solutions involved in recording Karakalpak traditional instruments (qobiz and shinkobiz) under studio conditions. Transferring ethnic instruments into multi-channel (5.1 Surround) spatial formats is a serious engineering task. The study provides an in-depth analysis of the frequency spectra, specific transient behaviors, and resonance characteristics of these instruments. Furthermore, by proposing advanced miking methods (Mid-Side technique, off-axis positioning) and panning strategies during the post-production stage, a comprehensive methodological guide for sound directors has been developed. The primary objective is to seamlessly integrate the Karakalpak musical heritage into modern spatial audio platforms while preserving its authentic, ancient timbre.
sound directing, Karakalpak folklore, qobiz, shinkobiz, acoustic analysis, 5.1 Surround system, spatial audio, miking techniques, post-production, transients, audio frequency.dawıslı rejissura, qaraqalpaq folklorı, qobız, shınkobız, akustikalıq tallaw, 5.1 kólemli sistema, keńisliktegi audio, mikrofon texnikası, post-prodakshn, tranzitler, audio jiyiligi.звукорежиссура, каракалпакский фольклор, кобыз, шинкобиз, акустический анализ, система 5.1 Surround, пространственное звучание, техники микрофонов, постпродакшн, переходы, частота звука.ovoz rejissurasi, qoraqalpoq folklori, qo‘biz, shinkobiz, akustik tahlil, 5.1 qamrovli tizim, fazoviy audio, mikrofon texnikasi, post-prodakshn, tranzitlar, audio chastotasi.
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